Yusef Lateef

CONCEPT: This is a composition in which the 'free flight of fancy' prevails over contemporary conventions of form, style, etc. It is markedly autophysiopsychic in character. It is partially dream-like in mood and also fancifully whim-like. It has a special character. It is "Sonata quasi una fantasia." and deviating in various respects from the conventional sonata form and style. It has various motifs in free imitation, sequential treatment, paired imitation and endophytal composition insertions.

Yusef Lateef - Bass Flute, C Flute, Alto Flute, Pneumatic Bamboo Flute, Moan Flute, Tenor Bamboo Flute, Duckaphone, Keyboards and Shenai

Adam Rudolph - Percussion

Greg Snedeker – Electronics

Michael Dessen - Trombone

Produced by: Yusef Lateef
Original Recording, Mix & Mastering by: Norman Blain | Digital Mastering: Jim Hemingway
Recorded at: Guy DeVito's Shutesbury, MA December 1995
Graphic Design by: Rick Ward | Ink Drawing by: Yusef Lateef

CONCEPT: This is a composition in which the 'free flight of fancy' prevails over contemporary conventions of form, style, etc. It is markedly autophysiopsychic in character. It is partially dream-like in mood and also fancifully whim-like. It has a special character. It is "Sonata quasi una fantasia." and deviating in various respects from the conventional sonata form and style. It has various motifs in free imitation, sequential treatment, paired imitation and endophytal composition insertions.

Yusef Lateef - Bass Flute, C Flute, Alto Flute, Pneumatic Bamboo Flute, Moan Flute, Tenor Bamboo Flute, Duckaphone, Keyboards and Shenai

Adam Rudolph - Percussion

Greg Snedeker – Electronics

Michael Dessen - Trombone

Produced by: Yusef Lateef
Original Recording, Mix & Mastering by: Norman Blain | Digital Mastering: Jim Hemingway
Recorded at: Guy DeVito's Shutesbury, MA December 1995
Graphic Design by: Rick Ward | Ink Drawing by: Yusef Lateef

CONCEPT: This is a composition in which the 'free flight of fancy' prevails over contemporary conventions of form, style, etc. It is markedly autophysiopsychic in character. It is partially dream-like in mood and also fancifully whim-like. It has a special character. It is "Sonata quasi una fantasia." and deviating in various respects from the conventional sonata form and style. It has various motifs in free imitation, sequential treatment, paired imitation and endophytal composition insertions.

Yusef Lateef - Bass Flute, C Flute, Alto Flute, Pneumatic Bamboo Flute, Moan Flute, Tenor Bamboo Flute, Duckaphone, Keyboards and Shenai

Adam Rudolph - Percussion

Greg Snedeker – Electronics

Michael Dessen - Trombone

Produced by: Yusef Lateef
Original Recording, Mix & Mastering by: Norman Blain | Digital Mastering: Jim Hemingway
Recorded at: Guy DeVito's Shutesbury, MA December 1995
Graphic Design by: Rick Ward | Ink Drawing by: Yusef Lateef

CONCEPT: This is a composition in which the 'free flight of fancy' prevails over contemporary conventions of form, style, etc. It is markedly autophysiopsychic in character. It is partially dream-like in mood and also fancifully whim-like. It has a special character. It is "Sonata quasi una fantasia." and deviating in various respects from the conventional sonata form and style. It has various motifs in free imitation, sequential treatment, paired imitation and endophytal composition insertions.

Yusef Lateef - Bass Flute, C Flute, Alto Flute, Pneumatic Bamboo Flute, Moan Flute, Tenor Bamboo Flute, Duckaphone, Keyboards and Shenai

Adam Rudolph - Percussion

Greg Snedeker – Electronics

Michael Dessen - Trombone

Produced by: Yusef Lateef
Original Recording, Mix & Mastering by: Norman Blain | Digital Mastering: Jim Hemingway
Recorded at: Guy DeVito's Shutesbury, MA December 1995
Graphic Design by: Rick Ward | Ink Drawing by: Yusef Lateef